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Henri Rousseau - The ambition of painting

25 March 2026 20 July 2026

The exhibition and its catalogue will look back on this close collaboration between the Parisian dealer and the American collector, and more broadly on the network of collectors and dealers the painter worked with during his lifetime. Around fifty works will be on display, some selected from these two institutions' collections and others key artworks on loan from European and American institutions, including The Sleeping Gypsy, a masterpiece conserved at the Museum of Modern Art in New York.

Matisse 1941 – 1954

24 March 2026 26 July 2026

In the bright light of his final years, Matisse invented a new language: that of cut-out forms and pure color. More than 300 paintings, drawings, books and cut-out gouaches retrace, between 1941 and 1954, the journey of a free artist in perpetual motion.

The exhibition Matisse. 1941-1954 sheds light on the final years of Henri Matisse's career, between 1941 and 1954, through more than 300 works - paintings, drawings, cut-out gouaches, illustrated books, textiles and stained glass - from the Centre Pompidou collection and major international loans. It reveals the multidisciplinary scope of his practice during this period, while bringing together an exceptional group of cut-out gouaches.

Conceived as a journey through the painter's universe, the exhibition recreates the vibrant atmosphere of his ever-changing studio. An invitation to discover Matisse's flourishing "garden," room after room.

Coproduction between Centre Pompidou and GrandPalaisRmn

With the participation of the Musée Matisse Nice

Curator 

Claudine Grammont - Head of the Graphic Art Department, Musée national d'art moderne, Centre Pompidou

Scenography: Julie Boidin

K-Beauty. Korean Beauty, Story of a Phenomenon

18 March 2026 6 July 2026

From the 18th century to the Kpop wave, discover the roots of a visual culture that has conquered the world!

A major cultural powerhouse, South Korea is now setting trends and inspiring a globalized generation. At the forefront of this wave, K-Beauty is imposing a holistic approach to beauty that is typically Korean and establishing a true aesthetic. Going beyond simple cosmetics, it is forging new standards and creating striking and unique imagery.

Bringing together masterpieces from the collections of the Guimet Museum and major South Korean institutions (paintings, photographs, advertisements, dresses, and beauty accessories from the 18th century to the present day), the « K-Beauty » exhibition deciphers its codes and shows how they are part of a centuries-old tradition, between balance and virtue, naturalness and sophistication.

Through this exhibition, visitors will discover how a distinctly Korean aesthetic has been consolidated, with certain standards - forged since the late Joseon Dynasty (1392-1910) - retaining their appeal to this day and becoming the subject of tributes and numerous reinterpretations. « K-Beauty » highlights the evolution and enduring nature of the concept of Korean beauty, from the second half of the 18th century to the contemporary globalized world.

 Curatorship:

Claire Bettinelli, musée Guimet

Claire Trinquet Soléry, musée Guimet

Nan Goldin This Will Not End Well

18 March 2026 21 June 2026

Icon of contemporary photography, Nan Goldin is exhibited as a filmmaker. The Grand Palais presents the first retrospective in France devoted to her videos and slideshows, which the artist describes as "films made up of stills". An intimate journey through her life, her friendships, her loves, and her struggles.

After travelling to Stockholm, Amsterdam, Berlin, and Milan, the exhibition now arrives in Paris, at the Grand Palais and the Chapelle Saint-Louis de la Salpêtrière, offering a unique immersion into Nan Goldin's intimate, moving, and profoundly human world.

The exhibition is organized by the Moderna Museet, Stockholm, in collaboration with the GrandPalaisRmn, Paris, the Pitié-Salpêtrière Hospital, Paris, the Stedelijk Museum, Amsterdam, the Neue Nationalgalerie, Berlin, and the Pirelli HangarBicocca, Milan.

The Lady and the Unicorn

Touch, Taste, Smell, Hearing and Sight... and a sixth piece symbolizing the sixth sense, with a blue tent and the inscription To my only desir. The tapestries that make up the Lady and the Unicorn hanging are among the most famous works in the Musée de Cluny collection.

Fun & Learn

Discover the world's greatest museums and their collections, inviting young and grownups to enjoy.

Contemporary Engravings

Engraving The Friend (from a work by Titien) - Elizabeth Peyton

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Elizabeth Peyton's revelation as an artist came when she discovered the works in the Louvre through books. One of her first fascinations was Titian's Man with a Glove (1520-1522), one of the most famous paintings by the Venetian master.

The spontaneous process of using soft varnish, known as "à la manière de crayon", enabled him to draw freely through paper directly onto the varnish of the metal plate. This direct, unrepentant technique offers an element of randomness to the creative process, which Elizabeth Peyton welcomed as a creative opportunity for this intimate portrait.

A subtle, bold palette of colours reveals the strength of the features, helps to capture the expression, and adds depth to the composition. The result is a figurative print of great graphic sensitivity, with a masterful technique of expression and quick, sharp strokes.

L'Ami (after Titian) by Elizabeth Peyton is a magnetic, timeless portrait, tinged with a modern sensibility, reflecting a precise, tender and intimate moment that gives L'Homme au gant a contemporary face and recalls the ancestral skills of the craftsmen of the Atelier de chalcographie du GrandPalaisRmn.

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