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Niki de Saint Phalle, Jean Tinguely, Pontus Hultén

20 June 2025 4 January 2026

Dive into the bubbling universe of Niki de Saint Phalle and Jean Tinguely through the visionary eyes of Pontus Hulten. Between passion and boundless creation, this exhibition reveals the incredible alchemy that united these artists and their accomplice, building a free, participative and revolutionary art.

A mythical couple, Niki de Saint Phalle (1930 - 2002) and Jean Tinguely (1925 - 1991) are united by an unbreakable artistic bond and a shared vision of creation as an act of rebellion against established norms.

Anna Maria Maiolino. I am here. Estou Aqui

14 June 2025 21 September 2025

From June 14 to September 21, 2025, the Musée National Picasso-Paris welcomes Brazilian artist Anna Maria Maiolino for her very first solo exhibition in France, "Anna Maria Maiolino. I am here. Estou Aqui". Organized as part of Brazil's cultural season in France (under the general curatorship of Emilio Kalil), this exhibition is one of the highlights of the Brazilian artistic program in Paris. The exhibition is curated by Sébastien Delot and Fernanda Brenner. Recently awarded a Golden Lion for her entire career at la Biennale de Venezia 2024, Anna Maria Maiolino will be exhibiting some one hundred works, including previously unpublished drawings, sculptures, paintings and videos.

The Fire Masters - The Bronze Age in France 2300 - 800 BC

13 June 2025 9 March 2026

This exhibition, the result of a collaboration between the Musée d'Archéologie nationale (MAN), the Institut national de recherches archéologiques préventives (Inrap) and the Association pour la promotion des recherches sur l'âge du Bronze (APRAB) show how the evolution of metallurgy accompanied, both symbolically and culturally, the profound upheavals of Western European society. This period transformed the French territory into a crossroads of cultures.

Suited to all audiences, this exhibition will offer an experience of the Bronze Age through experiments, workshops, lectures and events in the museum and on the national estate.

Royal tapestries French know-how and contemporary Danish tapestries

11 June 2025 10 August 2025

For the first and only time in France, sixteen majestic contemporary tapestries designed by Danish artists are taking over the Grand Palais. A meeting between tradition and creation, where materials and colours reveal all the richness of exceptional know-how.

Exhibition co-produced by the GrandPalaisRmn, the Royal Danish Collection and theManufactures nationales - Sèvres & Mobilier national

The Lady and the Unicorn

Touch, Taste, Smell, Hearing and Sight... and a sixth piece symbolizing the sixth sense, with a blue tent and the inscription To my only desir. The tapestries that make up the Lady and the Unicorn hanging are among the most famous works in the Musée de Cluny collection.

Fun & Learn

Discover the world's greatest museums and their collections, inviting young and grownups to enjoy.

Contemporary Engravings

Engraving The Friend (from a work by Titien) - Elizabeth Peyton

KM011493
Elizabeth Peyton's revelation as an artist came when she discovered the works in the Louvre through books. One of her first fascinations was Titian's Man with a Glove (1520-1522), one of the most famous paintings by the Venetian master.

The spontaneous process of using soft varnish, known as "à la manière de crayon", enabled him to draw freely through paper directly onto the varnish of the metal plate. This direct, unrepentant technique offers an element of randomness to the creative process, which Elizabeth Peyton welcomed as a creative opportunity for this intimate portrait.

A subtle, bold palette of colours reveals the strength of the features, helps to capture the expression, and adds depth to the composition. The result is a figurative print of great graphic sensitivity, with a masterful technique of expression and quick, sharp strokes.

L'Ami (after Titian) by Elizabeth Peyton is a magnetic, timeless portrait, tinged with a modern sensibility, reflecting a precise, tender and intimate moment that gives L'Homme au gant a contemporary face and recalls the ancestral skills of the craftsmen of the Atelier de chalcographie du GrandPalaisRmn.

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