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The history of Department stores From 1850 to nowadays

6 November 2024 6 April 2025

An innovative and immersive exhibition


This exhibition will immerge the visitors in the department stores' atmosphere through an immersive scenography, which will recreate these consumption temples' sensory and appealing experience. 
It will display an international overview of their monumental architectures with never seen before collections. The department stores' saga will also be the set of an interactive and playful experience, thanks to devices designed for families.

Curatorship

Isabelle Marquette, heritage curator, 
Elvira Férault, conservation assistant, Cité de l'architecture et du patrimoine,
 

Associate Curator

Christelle Lecoeur, architect, teacher-researcher at ENSA Paris-Malaquais (ACS)

  • Curatorial Assistant

    Anjali Pasquion Somaradjalou, research officer, Cité de l'architecture et du patrimoine

Ribera Shadows and Light

5 November 2024 23 February 2025

The Petit Palais is presenting the first French retrospective ever devoted to Jusepe de Ribera (1591-1652), the terrible heir to Caravaggio, whom his contemporaries considered 'darker and more ferocious' than the great Italian master. Of Spanish origin, he spent his entire career in Italy, first in Rome and then in Naples.

With over a hundred paintings, drawings and prints from all over the world, the exhibition retraces Ribera's entire career for the first time: the intense Roman years, which have only recently been rediscovered, and the ambitious Neapolitan period, which led to his meteoric rise to fame. One thing is clear: Ribera stands out as one of the earliest and boldest interpreters of the Caravaggesque revolution, and beyond that as one of the leading artists of the Baroque age.

Curators

Annick Lemoine, Head Curator, Director of the Petit Palais
Maïté Metz, Curator of Painting and Ancient Graphic Arts, Petit Palais

PIXELS – An interactive experience with the creative universe of AI

5 November 2024 6 February 2025

The Grand Palais Immersif invites you to discover PIXELS, the first major Parisian exhibition dedicated to Miguel Chevalier, a pioneer of digital art. Located in the heart of the Bastille, this exceptional exhibition, designed on two floors and occupying more than 1200 m², will immerse you in a universe where reality and virtuality merge to push the boundaries of art and artificial intelligence.

Let yourself be seduced by this unique experience which questions our links with digital technology through works that are as poetic as they are hypnotic.

Curatorship: Miguel Chevalier and Voxels Studio

Original music by Thomas Roussel

Figures of the Fool - From the Middle Ages to the Romantics

16 October 2024 3 February 2025

Fools are everywhere. But are the fools of today the same as the fools of yesteryear? This fall, the Musée du Louvre is dedicating an unprecedented exhibition to the myriad figures of the fool, which permeated the pictorial landscape of the 13th to the 16th centuries. Over the course of the Middle Ages and the Renaissance, the fool came to occupy every available artistic space, insinuating himself into illuminated manuscripts, printed books and engravings, tapestries, paintings, sculptures, and all manner of objects both precious and mundane. His fascinating, perplexing and subversive figure loomed large in the turmoil of an era not so different from our own.

The Lady and the Unicorn

Touch, Taste, Smell, Hearing and Sight... and a sixth piece symbolizing the sixth sense, with a blue tent and the inscription To my only desir. The tapestries that make up the Lady and the Unicorn hanging are among the most famous works in the Musée de Cluny collection.

Fun & Learn

Discover the world's greatest museums and their collections, inviting young and grownups to enjoy.

Contemporary Engravings

Engraving Elizabeth Peyton - The Friend (from a work by Titien)

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Elizabeth Peyton's revelation as an artist came when she discovered the works in the Louvre through books. One of her first fascinations was Titian's Man with a Glove (1520-1522), one of the most famous paintings by the Venetian master.

The spontaneous process of using soft varnish, known as "à la manière de crayon", enabled him to draw freely through paper directly onto the varnish of the metal plate. This direct, unrepentant technique offers an element of randomness to the creative process, which Elizabeth Peyton welcomed as a creative opportunity for this intimate portrait.

A subtle, bold palette of colours reveals the strength of the features, helps to capture the expression, and adds depth to the composition. The result is a figurative print of great graphic sensitivity, with a masterful technique of expression and quick, sharp strokes.

L'Ami (after Titian) by Elizabeth Peyton is a magnetic, timeless portrait, tinged with a modern sensibility, reflecting a precise, tender and intimate moment that gives L'Homme au gant a contemporary face and recalls the ancestral skills of the craftsmen of the Atelier de chalcographie du GrandPalaisRmn.

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