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Gardens of the enlightenment, 1750-1800

5 May 2026 27 September 2026

In spring 2026, at the Grand Trianon, the exhibition "Gardens of the Enlightenment, 1750-1800" offers a unique insight into landscape gardens in the 18th century. The exhibition tour brings together almost 160 works, including paintings, drawings, furniture, architectural plans, and costumes, spectacularly presented to showcase the birth of an art of landscape freed from the rules of the French formal garden and celebrating irregularity, fantasy and a philosophical evocation of nature. With close reference to the gardens commissioned by Marie-Antoinette at the Petit Trianon, the exhibition offers a sensitive rereading of iconic sites which visitors can then discover for themselves, such as the Belvedere, the Temple of Love and the Queen's Hamlet.

Curator

Elisabeth Maisonnier, Chief heritage curator, National Museum of the Châteaux of Versailles and Trianon.

Partners

The exhibition is a special partnership with the Bibliothèque nationale de France

Transparence

11 June 2025 29 August 2027

Exhibition co-produced by the GrandPalaisRmn and the Palais de la découverte (Universcience).

Curators:

Sophie Radix - Co-commissaire et programmatrice expositions, GrandPalaisRmn

Floriane Perot - Co-commissaire et muséographe, Palais de la découverte (Universcience)

Scenography : Studio Bloomer

The Lady and the Unicorn

Touch, Taste, Smell, Hearing and Sight... and a sixth piece symbolizing the sixth sense, with a blue tent and the inscription To my only desir. The tapestries that make up the Lady and the Unicorn hanging are among the most famous works in the Musée de Cluny collection.

Fun & Learn

Discover the world's greatest museums and their collections, inviting young and grownups to enjoy.

Contemporary Engravings

Engraving The Friend (from a work by Titien) - Elizabeth Peyton

KM011493
Elizabeth Peyton's revelation as an artist came when she discovered the works in the Louvre through books. One of her first fascinations was Titian's Man with a Glove (1520-1522), one of the most famous paintings by the Venetian master.

The spontaneous process of using soft varnish, known as "à la manière de crayon", enabled him to draw freely through paper directly onto the varnish of the metal plate. This direct, unrepentant technique offers an element of randomness to the creative process, which Elizabeth Peyton welcomed as a creative opportunity for this intimate portrait.

A subtle, bold palette of colours reveals the strength of the features, helps to capture the expression, and adds depth to the composition. The result is a figurative print of great graphic sensitivity, with a masterful technique of expression and quick, sharp strokes.

L'Ami (after Titian) by Elizabeth Peyton is a magnetic, timeless portrait, tinged with a modern sensibility, reflecting a precise, tender and intimate moment that gives L'Homme au gant a contemporary face and recalls the ancestral skills of the craftsmen of the Atelier de chalcographie du GrandPalaisRmn.

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