Document holder with press stud Claude Monet - Blue water lilies

IO110027

This briefcase shows the work of Claude Monet (1840 - 1926), Blue Water Lilies, between 1916 and 1919.Claude Monet (1840 - 1926)Blue Water Lilies, between 1916 and 1919Oil on canvasH. 204.0 ; L. 200.0 cm. Purchase, 1981© Musée d'Orsay, Dist. RMN-Grand Palais / Patrice SchmidtPrinted in France in compliance...

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This briefcase shows the work of Claude Monet (1840 - 1926), Blue Water Lilies, between 1916 and 1919.Claude Monet (1840 - 1926)

Blue Water Lilies, between 1916 and 1919
Oil on canvasH. 204.0 ; L. 200.0 cm.Purchase, 1981
© Musée d'Orsay, Dist. RMN-Grand Palais / Patrice Schmidt

Printed in France in compliance with environmental standards

Sold by GrandPalaisRmn

Characteristics

Engraving date
1916-1919
Artist
Claude Monet (1840-1926)
Art movement
Impressionism
Material of the original work
Huile sur toile
Theme
Made in France
Reference
IO110027
EAN
3336729277827
Matière de l'article
Polypropylene
Model dimensions
15cm x 22cm
Package Dimensions
15cm x 22cm
Editor
© Photo GrandPalaisRmn
Conservation museum
Paris - Musée d'Orsay

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The work and its artist

Claude Monet (1840-1926)

Born in 1840, Claude Monet forged his artistic talent in Le Havre, painting natural landscapes in the open air. His career took a decisive turn in 1872 when he settled in Argenteuil, where he became a meeting point for major artists such as Renoir, Sisley, Manet, Pissarro and Caillebotte. The year 1874 marked a historic moment: at an alternative exhibition to the official Salon, he presented 'Impression, Rising Sun', the work that would give Impressionism its name. This new artistic movement, of which he became the undisputed leader, revolutionised art by focusing on capturing natural light rather than faithfully reproducing reality. His move to Giverny in 1883 ushered in a crucial period in his career, during which he devoted himself in particular to his famous water lily pond, the subject of twelve paintings produced over a decade. At last, at the age of 49, a retrospective exhibition at the Galerie Petit brought him unanimous critical acclaim.